“Uh, the devil with his fly open.” – Homer Simpson
“Right.” – Psychiatrist
“Uh, that’s a spill on the floor with bugs going after it. And they’re gonna eat it.” – Homer Simpson
“Good.” – Psychiatrist
“Let’s see, it’s . . . the boy!” – Homer Simpson
In our ongoing mission to bring you only the shallowest and laziest analysis of Zombie Simpsons, we’re keeping up our Crazy Noises series for Season 22. Since a podcast is so 2004, and video would require a flag, a fern and some folding chairs from the garage, we’ve elected to use the technology that brought the word “emoticon” to the masses: the chatroom. Star Trek image macros are strictly forbidden, unless you have a really good reason why Captain Picard is better than Captain Kirk. This text has been edited for clarity and spelling (especially on “unrepentant”).
Homer Simpson was once given a Rorschach test. He had been involuntarily hauled to the “New Bedlam Rest Home for the Emotionally Interesting” for the grievous crime of wearing a pink shirt to work. No introduction was needed, the scene just picked up with Homer reporting what he saw. The whole thing barely takes ten seconds and each line is a joke.
In “How Munched is That Birdie in the Window”, Zombie Homer was acting out like the jerk he is when Marge distracted him with Rorschach pages. This led to a twenty second long series of grunts and screams. None of them had anything to do with what few ink blots were shown. There was hardly any dialogue; it was mostly Homer making faces while Castellaneta made noises. The other characters in the room didn’t react to this or anything, they just sat patiently and waited for him to finish. It was almost as if they knew they were in a crappy sitcom.
Charlie Sweatpants: Time to take the plunge?
Mad Jon: I am ready.
Charlie Sweatpants: In that case, let me start out by saying that this felt like they were pulling words and concepts out of a hat.
Mad Jon: That’s a pretty good description.
It was even more randomly taped together than usual.
Charlie Sweatpants: I know I complain about the stories every week, and it’s not unusual for the first act to have nothing to do with the rest of the episode, but this was even worse than usual.
Dave: Manatees and idea balls, perhaps?
Charlie Sweatpants: It wasn’t just the first act, it was the first half, and even that was padded left and right with whatever happened to fill up enough screen time. Between that thing that was like an Itchy & Scratchy, and that Patton bit, and the angels, and the horror story . . . it just kept getting more and more random.
Mad Jon: I did think they were going to make Homer talk in that voice the entire episode, but then they surprised me and had him do other random activities and voices….
Also, Danica Patrick was there.
I guess Go Daddy isn’t paying like it used to.
Charlie Sweatpants: She was one of three different fights Homer got into.
And hers was the only one with a purpose.
Dave: Danica Patrick was useless, as she is in real life. It was oddly fitting.
Charlie Sweatpants: Geez Dave, what have you got against Patrick?
Dave: I just don’t care for her. Carry on.
Mad Jon: Was the therapist a guest voice too?
Charlie Sweatpants: Yeah.
That was Rachel Weisz.
It didn’t need to be. But it was
Mad Jon: Ok. What was she pitching?
Charlie Sweatpants: I don’t know, it may be the first non-synergistic guest voice of the year.
Charlie Sweatpants: Of course, it was just one scene and it did nothing, but there it is.
Mad Jon: Hmm, so FOX is getting dumber AND lazier huh.
Charlie Sweatpants: Something like that.
To the “dumber” point, they continue with their inability to furnish a guest character with an interesting story.
Mad Jon: Or any story.
Charlie Sweatpants: In terms of “lazier”, I will say that I was expecting Patrick to just drive up in a race car or something. I can’t decide if having her in a dream is more or less lazy.
Dave: A little less, but only marginally.
Mad Jon: Well the racing thing would have helped tie into Moe’s plot to steal Homer’s house.
Charlie Sweatpants: Yeah, what was that about?
Moe’s not there, then he is, then as a punchline they use this bizarre twist.
Mad Jon: I don’t know. Nobody knows. Moe doesn’t know.
Dave: A throwaway line intended for yuks, but something that instead fell flat on its face?
Charlie Sweatpants: Sounds about right.
That reminds me, uh, Marcia Wallace really can’t do Krabappel any more. It’s not even close.
Mad Jon: Yeah it was pretty bad.
Charlie Sweatpants: Don’t get me wrong, I don’t want them to replace her or anything, she deserves to take every penny she can out of them, but it’s impossible not to notice it.
Mad Jon: Also your statement about Chalmers a few weeks back is becoming truer by the day. He really does live at the school doesn’t he?
Charlie Sweatpants: All the minor characters are like that. It’s just most noticeable with Chalmers.
Nelson in this one, for example.
Mad Jon: Oh yeah, with the mom and the clown.
Charlie Sweatpants: There he is out in the wilderness, then there he is again for the world’s most forced callback joke.
And I can’t decide if it’s stupider that he was in the choir, or that the choir was at the funeral.
Mad Jon: That whole funeral scene made me feel very bad about myself.
Charlie Sweatpants: The same goes for Moe and Milhouse.
Mad Jon: The rendition of “taps’ was especially physically embarrassing.
Charlie Sweatpants: Another glacially paced scene in an episode that was full of them.
Any decent parts, in your opinions?
Dave: The montage wasn’t awful, by ZS standards, but it did go on a tad long.
Mad Jon: The only thing I thought was ok was the chart Bart drew. Not the whole scene with Milhouse, that dragged on and was pointless, but the quick flash to the drawing with Milhouse at the bottom was ‘decent’ in my opinion.
Charlie Sweatpants: Skinner wanting Bart to be depressed was okay, while it went on too long and they beat it into the ground a little bit, it’s a decent concept.
It also made sense in context, quite frankly that shocked me.
Mad Jon: I can see that. It was faintly reminiscent of the time Skinner recommended deportation. Just not as hilarious.
Charlie Sweatpants: Not even close, but that Skinner would unrepentantly want Bart sad was good. It just didn’t need to take that long, or have as much Jerkass Homer in it.
Other than that this was pretty much a garbage dump all the way through.
Mad Jon: No arguments here.
Charlie Sweatpants: I was also curious about your opinions on the animation for the weird Itchy & Scratchy thing.
The backgrounds and stuff were done in a very 1930s Disney style with that soft focus, but the characters were all crisp and bright and obviously digital.
I don’t know if that was intentional or what, but it was just odd.
Dave: Oh, that. I shrugged it off. I’m sure it was a reference to something I don’t care about.
But intentional, yes.
Mad Jon: That was a very weird I&S, even for this season.
Charlie Sweatpants: Anything else here? We haven’t even mentioned the ostrich fight/murder/Family Guy thing at the end. But that may be for the best.
Mad Jon: Oh I think it’s just as well that we lump that in to your opening statement. It was a random collage of animation and activity I assume they thought would get some laughs from the twelve year olds in between their text messages and facetime.
Dave: Bart killed an ostrich lol?
Mad Jon: I kind of felt drunk while I was watching the last 4 or so minutes, and I haven’t had anything to drink tonight.
Charlie Sweatpants: I can understand that. With about four minutes to go I looked at the timer and was wondering where they were going with this. Then there was an ostrich farm and Bart had to not get saved by Santa’s Little Helper.
When the ostrich opened his eyes, fine, who cares, it’s a little twist. But then he went all Chicken with Bad Coupon on Homer. Was it worth that kind of total capitulation to MacFarlane to stretch the last ten seconds of the episode?
Mad Jon: I have a hard time imagining that they were doing that for any other reason than to fill the last minute of screen time.
Charlie Sweatpants: Yeah, you’re probably right.
Mad Jon: There is no need to think of an ending when you don’t really end the episode.
Charlie Sweatpants: Also a good point.
Anything else? I’m ready to be done.
Mad Jon: Also I am ready to be done.
Charlie Sweatpants: Well, Dave, what do you say? Is it quittin’ time or would you like to stay and work overtime?
Dave: I think it’s quittin’ time. Jon would kill me if I extended this.
Charlie Sweatpants: I always like it when we end on implied death threats.