23
Aug
12

Compare & Contrast: Hey There, Handsome

Simpson and Delilah10

“Attention, Homer Simpson, you have been promoted.  You are now an executive.  Take three minutes to say goodbye to your former friends and report to room 503 for reassignment to a better life.” – Mr. Smithers

Even in the freewheeling world of animation, where it’s just as easy to send Homer to space as it is to send him to the supermarket, every character on screen has a few well established traits that make them who they are.  Burns is evil; Bart is a troublemaker; Barney is a drunk, etcetera.  Messing with those traits, like having Burns try not to be evil in “The Old Man and the Lisa”, is one of the oldest tricks in the comedy playbook, and it often works quite well.  You get to see the other side of a character and laugh as they are put in situations that make them react in ways that are anathema to who they usually are.  Of course, this sort of switch doesn’t always have to be about someone’s personality.  Physically changing a character can have much the same effect, which is exactly what the show did to Homer, in “Simpson and Delilah”, and Moe, in “Pygmoelian”. 

By default, neither Homer nor Moe are what you’d call handsome, and neither is, to borrow Moe’s words from another episode, “fending off movie starlets with a pointy stick”.  But, by giving Homer hair and giving Moe plastic surgery, both of them can be transformed into men who makes the ladies turn their heads and the gentlemen respectfully defer. 

As is to be expected with any comparison between Season 2 and Season 11, not only is the latter repeating an idea, but it’s also shot through with plot holes, Jerkass Homer, and general nonsense.  Homer’s new executive job makes sense, Moe’s soap opera gig does not.  The secretary applicants all make “kissy faces” at Homer because they want the job, that odd assortment of hot babes at Moe’s just seems to be hanging out for no reason.  Homer losing his looks flows from the first act, Moe losing his new look doesn’t have anything to do with the first act, or the second, or really even the third.  Setting those aside, there is another enormous, glaring neon difference between how Season 2 and Season 11 employed the same concept. 

In “Simpson and Delilah”, the story is about Homer, but the satire and jokes are mostly at the expense of the people around him.  With his new hair, we see Homer impress Patty & Selma, we see him get promoted and succeed in the boardroom, we even see him go through with the big speech that could’ve turned him into one of the most powerful executives at the nuclear plant.  That he fails in the end isn’t his fault, it’s because the social stigma of baldness caught up with him.  In another of those evilly subversive endings The Simpsons tossed off regularly, we see the executives scoff at his presentation not because he screws it up or mispronounces the big words, but because:

Full Haired Executives

Male Executive #1: This bald man has no ideas.
Male Executive #2: If this is a joke, I’m not laughing.
Female Executive: Some nerve, telling us how to run the plant.  He doesn’t even have hair.

The joke here isn’t just Homer failing again, though there is that.  The joke here is on the superficial people who can’t see past Homer’s hairless dome to the millions of dollars of savings he’s offering them.  They don’t know that these are all really Karl’s ideas, they just know that no one who looks like Homer can possibly have anything to offer to people like them.  It isn’t just Homer who fails here, it’s the power plant too. 

By contrast, the soap opera in “Pygmoelian” isn’t really wrong about anything.  After all, it’s a soap opera.  They were right not to hire Moe before he was pretty; their operation didn’t skip a beat replacing Dr. Tad Winslow the first time, so it’s not like they can’t do it again; and if Moe hadn’t been dumb enough to listen to Homer, everything would’ve been fine.  There’s nothing deeper going on in “Pygmoelian”, it’s just a (wacky) story about a guy who gets plastic surgery and then has a wall fall on his face. 

So while “Pygmoelian” does a decent job of satirizing soap operas, that kind of thing had been done many times before (“Father McGrath, I thought you were dead!” / “I was!”), and it has nothing to do with Moe becoming pretty.  The cosmetic prejudice that runs through every scene in “Simpson and Delilah” is totally absent in “Pygmoelian”, which leaves it with little more to do in most scenes than have Jerkass Homer act out as Moe’s newfound sidekick.  Gone is Burns repeatedly mistaking Homer for brilliant (he promotes Homer completely because of his hair), gone is the life altering power of a minor appearance upgrade, gone is Homer traumatizing Bart by informing his son that one day he’ll be bald too. 

By the standards of Season 11, “Pygmoelian” is pretty decent.  The plot isn’t completely batshit, there are quite a few entertaining scenes, Azaria is fantastic, and, best of all, it’s got several memorable and useful quotes (“with sexy results” cracks me up any time I see a commercial for a TV show that teases a plot or an upcoming segment).  But it can’t hope to stack up to Season 2, not only because it’s repeating an idea that had already been done, but because it repeats it in a thoroughly hollow way.


7 Responses to “Compare & Contrast: Hey There, Handsome”


  1. 23 August 2012 at 6:48 pm

    Bart has hair? I could’ve sworn those spikes were extensions from his skull.

  2. 24 August 2012 at 12:23 am

    Excellent analysis as always.

  3. 3 Al Gore Doll
    24 August 2012 at 12:03 pm

    Anybody could make a “formerly ugly person becomes pretty and then ruins it” plotline, the Simpsons managed to do it while reminding us that society is what pressures people into changing what they look like, its not done in isolation.

  4. 24 August 2012 at 5:22 pm

    I think ‘Simpson and Delilah’ is one of the most quotable and best episodes of The Simpsons ever.

  5. 5 abra cadaver
    25 August 2012 at 4:01 am

    Great writing, as usual, and I appreciate that you constantly reference the sometimes-maligned -elsewhere-on-the-net (WHY?!) season 2.

    One thing I never thought of until just now is that Homer has had quite a few “higher up” jobs… in Simpsons and Delilhah, the one where he smokes pot, the one where he protects Mr. Burns, the recent Mad Man.. um… “parody”, I guess… and I know I’m forgetting plenty…. but anyway, as much as make fun of the fact that he always seems to get NEW jobs, when he’s in his OLD job he is often promoted for seemingly no reason. While that’s an okay joke at first, it — like the show itself — has gotten very very old by now.

  6. 25 August 2012 at 8:12 pm

    These Compare & Contrast articles are by far my favourite part of this blog. They’re always so spot-on. I hadn’t even realized that Pygmoelian partially recycled an older plot, and then stripped it of any and all intelligent commentary.

  7. 7 Hallam Wiltshire
    27 August 2012 at 6:30 pm

    A similar plot (albeit as a sub-plot) was used in To Surveil with Love which while is slightly more organic than Pymoegegewfefilian in the way it goes about the issue of stereotyping/people being superficial; it certainly does a better job but still comes nowhere near the brilliance of Simpson and Delilah (which I just so happened to watch this morning).


Comments are currently closed.

E-Mail

deadhomersociety (at) gmail

Run a Simpsons site or Twitter account? Let us know!

Twitter Updates

The Mob Has Spoken

Anonymous on Quote of the Day
Marge on Quote of the Day
Steamed Vaans on *Triple* Secret Makeup Quote o…
Steamed Vaans on Double Secret Makeup Quote of…
Steamed Vaans on Quote of the Day
Steamed Vaans on Makeup Quote of the Day
Steamed Vaans on Quote of the Day
Steamed Vaans on Quote of the Day
Anonymous on Quote of the Day
Anonymous on Quote of the Day

Subscribe to Our Newsletter

Reruns

Useful Legal Tidbit

Even though it’s obvious to anyone with a functional frontal lobe and a shred of morality, we feel the need to include this disclaimer. This website (which openly advocates for the cancellation of a beloved television series) is in no way, shape or form affiliated with the FOX Network, the News Corporation, subsidiaries thereof, or any of Rupert Murdoch’s wives or children. “The Simpsons” is (unfortunately) the intellectual property of FOX. We and our crack team of one (1) lawyer believe that everything on this site falls under the definition of Fair Use and is protected by the First Amendment to the United States Constitution. No revenue is generated from this endeavor; we’re here because we love “The Simpsons”. And besides, you can’t like, own a potato, man, it’s one of Mother Earth’s creatures.