Posts Tagged ‘And Maggie Makes Three

17
Jul
17

Quote of the Day

“We now return to Knight Boat, the crime solving boat.” – TV Announcer
“Faster, Knight Boat! We gotta catch those starfish poachers!” – Not David Hasselhoff
“You don’t have to yell, Michael. I’m all around you.” – Knight Boat

23
Mar
17

Quote of the Day

“So, come crawling back, eh?” – C.M. Burns
“Seems like the classy thing to do would be not to call attention to it.” – Homer Simpson

25
Jul
16

Quote of the Day

And Maggie Makes Three20

“That new baby in your mother’s womb was a ticking time bomb threatening to blow this family eight ways from Sunday! . . . Hey, where are you going?” – Homer Simpson
“Dad, you can’t expect a person to sit for thirty minutes straight.” – Bart Simpson
“I’m gonna get a snack and maybe go to the bathroom.” – Lisa Simpson

22
Jan
16

Quote of the Day

And Maggie Makes Three19

“You’re a pin monkey?  Wow!  Finally I don’t have to be ashamed of my father’s job.” – Bart Simpson

22
Dec
15

Quote of the Day

And Maggie Makes Three18

“Hey, Uncle Al, can Homer have a job?” – Barney Gumble
“Sure.” – Uncle Al
“Woo-hoo!” – Homer Simpson
“Barney, you’re fired.” – Uncle Al
“Okay.” – Barney Gumble

30
Jun
15

Quote of the Day

And Maggie Makes Three17

“So, in a few months, both of you will have a brand new brother or sister.” – Marge Simpson
“Been there, done that.” – Bart Simpson
“I hope it’s a girl.” – Lisa Simpson
“You know nothing about genetics, Lis.  It goes boy-girl, boy-girl.” – Bart Simpson

28
Apr
15

Behind Us Forever: The Kids Are All Fight

And Maggie Makes Three15

“It all began about two years ago before Maggie was even born.  Bart, you were Lisa’s age, and Lisa, you were the age Bart was several years ago.” – Homer Simpson

As it has doddered along these last few years, Zombie Simpsons has started to turn to flash forward episodes a bit more often where Bart and Lisa are adults with kids of their own.  For “The Kids Are All Fight”, they went the other way, going backwards to some indeterminate time a few years ago when Bart was four and Lisa was two.  The story, which was even more incoherent than usual, involved little Bart and Lisa escaping the house and going on a wacky adventure that consisted of a series of disconnected scenes.

– And we are off to a poor start with Moe telling us out loud that he doesn’t know how to work his cash register.

– Homer found an old roll of film in his jacket, and then Carl appeared out of nowhere to tell Homer that he can’t get film developed anymore.

– It’s okay, now they’re developing it in the bar, which leads to the whole family being at Moe’s, where the expository dialogue flows like water.

– After a brief montage showing old pictures of Bart and Lisa fighting, we get one of those adorable in-episode retcons so Marge can scold Homer for not stepping in while he took the photos.

– As an example of why this show can’t write a decent joke anymore, I present their attempt to make fun of the Planet of The Apes movies, in its bloated entirety:

Marge:  Well, it’s quite a story, a story of a special bond between a brother and a sister.
Bart:  I’d say our story’s a tragedy, like the Planet of the Apes.  The tragedy being they can never stop making them!
Marge:  Hey, come on, the first and eighth movies were pretty darn good.

It has nothing to do with what’s going on, involves Bart speaking two sentences, one of which is an explanation of the other, and then Marge finally getting to a punchline that is itself buried in the middle of another overly long sentence.  Whether or not you think that’s funny is up to you, but that mass of words never would’ve made it past the first draft of an actual Simpsons script.

– Flashback Bart and Lisa are now clubbing each other with books while Marge looks on helplessly.

– Oops, we’re back at Moe’s in the present now, where the family describes a time they went to Kwik-E-Mart.  Mmm, tell don’t show.

– Yet another example of how messy these scripts are: after once again telling us (for about the sixth time in three minutes) that Bart and Lisa were always fighting, Marge says, “That’s why we never developed that roll.”  Not only is this line completely unnecessary (the scene ends right after it) but it contradicts the fact that we just saw Homer pull this forgotten roll from his suit.  I don’t care about inter-episode continuity, and I recognize that intra-episode continuity is too much for Zombie Simpsons, but these two things didn’t even have a commercial break in between them.

– And we’re back in the past, where Bart is in the clown bed.

– They just went to slow motion and played Also Sprach Zarathustra while Homer went in to strangle Bart.  Was that supposed to be the first time that happened?  Who knows?  They had Bart smash a lamp over Homer’s head right after.  Hey, ate some time at least, right?

– Guh, this is bad:

Marge: Homer, I just the worst dream.  I lost one of the kids at the World’s Fair.
Homer:  It’s okay, which one?
Marge: Brisbane, ’88.
Homer:  Oh, that’s so horrible, baby!
Marge:  I know.  I know.

Again, you have one punchline (and not a particularly strong one, if you ask me) buried amid line after line of setup and whatever it is you call it when your joke goes on for two more lines after your weak punchline.

– Now they’re at the expository counselor’s office.

– Hey, Grandma Flanders is back, only now she’s less senile and her voice is less scratchy.  Is stuff like this and the clown bed supposed to be fan service or is it just filler?

– Now she’s babysitting and screaming.  So . . . filler.

– And speaking of filler, Marge and Homer are apparently getting dressed for brunch (and having an expository conversation about what they’re doing, Marge even informed us when she zipped up her dress).  Keep in mind they’re showing us this after the scene where Grandma Flanders looked to have been babysitting for quite some time already.  Did they put these in the episode in the wrong order, or did nobody care?

– And now Grandma Flanders is dead.  So . . . definitely filler.

– Homer and Marge stayed home to screw, so, naturally, Homer had to recap what we just saw, “My favorite kind of weekend morning, a sexy snuggle while our rotten kids are someone else’s problem.”  Homer then cackles maniacally for 10-15 seconds.

– Now Bart is riding through traffic on a big wheeler.  Jebus, I’m bored.

– Aaaaand we’re back to hopping around in the story.  Apparently, Homer and Marge did go to brunch, and now they’ve discovered that Bart and Lisa are gone.  This is chronologically confusing and sloppy even by student film standards.

– Apparently, Gil is being hired by Wiggum now.  There is yelling.

– Bart was arguing with the bullies, but then Lisa showed up even after we saw Bart drive away in front of another car.  Oof, this is a mess, none of these scenes go together at all.

– I’m zoning out now.  Bart and Lisa are at the retirement home.

– Homer just shot a pizza.  Then there was exposition.

– More random scenes are happening.  I’m done.

– And we end on a weirdly out of place Seinfeld musical beat while Hibbert talks to the Flandereses, which is itself ended by Lisa, back in the present, saying, “You’ve had three natural endings already.”  I’ve said it before and I’ll say it again: they know these episodes are slapdash and pathetic, they just don’t care.

Anyway, the numbers are in and they remain at historic lows.   On Sunday, just 3.30 million viewers wished they were watching “Lisa’s First Word”.  That is up ever so slightly from last week’s 3.23, but still good for #6 on the all time least watched list.  There are three episodes to go, and barring a major surge in viewership, Season 26 is going to easily eclipse Season 25’s record as the least watched ever.




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